C. Lalnunchanga
He lehkhabu, JC Zoremi Hmar Joute ziah hi article leh essay lawr khawm, thupui (theme) 42-a then a ni a. A genre ti mai ila, a thupui hlawmahte hian family leh social essay lam a hrût uar hle a, hei hi chhungkua leh khawtlang nun a veina atanga a ngaihtuahna luang liam niin a lang; tin, ram leh hnam hmangaihna te, ram ngaw humhalh duhna te, culture leh tradition te, lunglen thu te, Mizo tawng humhalh te, zirna sikul te, history rawng kai deuh roh leh politics hawi lek lek thlengin a rît khâwm a. Social essay tia kan sawiah hian Mizoten social media kan lawmzia, kan khawih nasatzia, chumiin chhungkua leh mi mal nun thlenga nghawng tha lo a neih theih dân kawng hrang hrangin a pho chhuak a.
‘Chumchi Leng’ leh ‘Zomors Zunzâm’ tih lehkhabu chhiar tawhte chuan kan hria ang a; thukhuh vak awm lo, a ziaktu daihriat atanga chhuak experience humour, thu zangkhai leh hlimawm tak tak beng khawmna lehkhabu a ni a; hei vang hian Zoremi hi hetiang lam ziak zêl tura beiseina mipuiin kan nei a; amaherawhchu, tuna a lehkhabu tharah hian fiamthu rawng kai chu la rawn zep zeuh zeuh mah se, thupui fun zâwk, finna thu pai, khawtlang leh chhungkua, ram leh hnam tana thu hnûnhnâng leh ro tling— chutiang lam thlûrna lehkhabu chu kan hmu ta a. Hêng thu awmze nei tak tak a ziahte hi amah ngeiin a hmuh leh a tawn, a chhia leh tha hriatna fim tak nena a teh keuh keuh; tam tak hi chu keini pawhin kan hmuh leh hriat ve tho; mahse, eng nge a nihna tak kan zu varpawh thlen ve loh, a hlutna leh hlut lohna te, eng nge hringnunah zung kaih a neih tih kan chik ngai loh a ni a. Kan thil hmuh leh hriat inang rengah Zoremi hi chuan finna a chhar a, chu chu kan hriat thiam dan turin min hrilh ta a ni.
Lehkha ziak mite hian makna tak an nei a, mi dangte ngaihtuah loh angin an ngaihtuah a, mi dangte bengkhawn loh lamah beng an dawh a, mi dangte thlir loh danin khawvel an thlir thin a. Pu Vanneihtluanga thusawi pakhat ka hriat reng chu: “Mi induh leh chapo theng thawng, mi hmuhsit tina thei deuhten hawi veh vawha min hmachhawna, hnuaichhiah taka min dawr hian keini pawhin eng he huah kan ngai bik lo, kan thawnthu ziah tura character pakhat atân kan lo awt ru viau chauh a ni,” a ti a. Zoremi pawh hian mize hrang hrang a tawn te, social media-a rawn inpho lansarh tum ta reng rengho nungchang a hmuh, a taka belhchiana eng vak ni bik lote atang hian finna thu zir tur a chhar a, a lo in up-grade zel em maw ni tih tur a ni.
Keima chanchin han sawi ila. Kan tleirawl chhuah, kum 1987 khan Aizawl kar tin chhuak chanchinbu ‘Sofia’ tihah khan thawnthu — ‘Inhmangaih, Retheih Vanga Innei Thei Lo’ tih an rawn chhuah thin a. Vawi hnih vawi thum vel kha ka chhiar a, a ziaktu khan ziak thiam lo ka ti ve ngang a. Ka rilruin, “Hei aia tha hian ka ziak thei ang,” ka ti a. Khata tang khan eng thu thu emaw ka thai ve ta fo va. Chhiar tama, hriat a tam hi chuan a chhe lam pawh ni sela, a tangkai zawnga hman dan hi a lo awm leh nawlh thin.
Zoremi lehkhabuah pawh hian thupui hrang hrangah social media leh a kaihhnawih a lang tam a. ‘|awng Chungchang’ tihah hian social media vanga Mizo tawng kan hman dik lohte a rawn sawi a. Youtube, whatsapp leh facebook chu, “|awngkam dik lo theh darhna hmanraw tha tak a ni,” a ti hial a. ‘Aia Upate Zah Thiamin’ tihah chuan heti hian a sawi a, “Facebook lam te han en phei chuan naupang te tein an pate rual, an pute rual dawnthaw pawh tawngkam mawi lo leh na tak taka chhang pang pang ngam an tam tawh hle a,” tiin social media vanga aia upa zahna lo tlak hniam thu a chip sawm a. Upate chu, “Anni vanga awm leh piang kan ni a, an zara mawi leh mualpho lo thin, an thla hnuaia him leh an malsawmna chên a, lei hrehawma hlimna dungchhir ve thei mai kan ni e,” tiin a tlip a.
‘Tar Khawhar’ tih hi thawnthu tawi angin a rawn ziak a. Hetah hian tarte chu an tu leh faten phone an khawih nasat vangin an ngaihsak hman loh thu a rawn lantir a. ‘Nui Rawh Le’ tihah hian, “Facebook leh youtube lamah, tu emaw natna kan thlen dawn a ni tih hai chuang miah si lova tawngkam na leh dengkhawng tak taka comment duh kan tam em em mai a, tu emaw rilru kan tihnat khan tu hlimna mah a thlen lo va, a comment-tu ngei pawhin a hlim phah chuang lo,” a ti a. Heng vantlang nun tha lo a hmuh atangte hian Zoremi chuan, “Eng tin nge kan lo buan let ang,” tiin mut mawh hnar mawhah a nei a, kawng dik a zawng thin a ni tih a lehkhabu ziakah hian a lang a.
Mi thenkhat chuan social media-ah an thlalak emaw, an thuziah emaw an post a. An rilru zawng zawng nen like leh comment lut an vil zui a. Like-tu an ngah viau chuan an lawm a, lar ta viauva inhriatna an nei a. Like-tu an neih tlem chuan rilru nawm loh leh nat phah nan an hmang a, thenkhat chu rilru piangsualah an chhuak a. Kei pawh hian social media-a tute emaw han hnial mai hi ka ching a. Tu mah hnial hneh theih a ni lo tih hi ka zir chhuah chian em em pakhat a ni.
Social media han tih hian television te, radio te, Biak in leh vantlang hmaa thusawi te pawh hi social media tiin a sawi mai theih a. Amaherawhchu, social media kan tih chu internet kal tlanga cyber world chhunga inbiak pawhna leh, chanchin theh darh kan sawina a ni ta ber a. Kum 2001 vel atang khan Aizawlah cybercafe an siam a, mIRC chat hmangin bul kan tan a, kha kha Mizoten social media kan luhchilhna a nih a rinawm; mahse, mIRC-a chat khawih chingte kha mi tam tak an ni lo. Kum 2004 velah mobile phone a lo chhuak a, sms hmangin a mi nawlpuiin social media kan khawih ve ta a. Social media hman sualna sâr tak chu sex video atangin a lo lang nghal zat a. Kum 2004 velah, saruak ngal ngat lo deuh, kekawrte nena in-pose hmeichhe thla sex video han tih mai tur a darh a, khata tang khan mobile phone hmangin Mizo sex video clip kan inthawn kual ta vak vak a; tunah chuan saruaka live chat ngam Mizo nula an lo awm ta a. An zak hauh pawhin a hriat loh. Tin, instagram leh facebook-ah hmeichhe inzawrhna group te hial an siam tawh a ni âwm e. Tin, mawi lo taka hmeichhe biak ching mipa, an sazu leh thlalak mawihnai lo zet zet hmeichhe thawn ching pawh an awm a ni mai thei, hmeichhiain chutiang mipa chu an block fo thu he lehkhabuah hian a sawi a ni.
Tichuan, khawtlang nun chu social media kal tlangin a rawn thlir a, nun bawlhlawh a pho lang a. Kan hriat tawh hnu emaw, nu leh pain kan la hriat loh emaw a ni thei; eng pawh ni sela, Mizote hi social media-ah kan tal na fe zawng a nih hi. Social media-in kan hun min eisak hi a man a tam viau tawhin a rinawm. Heti khawpa Zoremin a ngaimawh a, thupui hlapui taka a neih hi — kan khawtlang pumin kan veipui a; keimahni pawh, kan fate pawh social media hman thiam inzirtir hi kan tih makmawh a ni.
A lehkhabu hmasa lama a thil ziahte enin Zoremi hi pianpui finna ngah tak a ni tih a hriat a. Mo, a pasal chhungte nêna inpawh, a pasal nu chu a nu ang taka en nghal chat mai a ni a. “Mo sual neih tum chuan a nei ngei ngei a; chutiang bawkin pasala chhungte hrawn hrehawm leh sual tura ngai tlat mo chuan hrawn hrehawm a hrawn nge nge,” a ti a. |hat leh that an inlawm a, Zoremi pasala chhungte hian mo sual an mo lo va; ani Zoremi pawh chhungkaw hrawn hrehawmah a lawi lo. Mo leh a nu (a pasal nu) mawhphurhna thlengin a rawn khawrh chhuak a. Chhungkua a vei em em a, chhungkaw inhmangaih leh hlim a thlalhlel a. A fapa nêna an inthian thatna hi a ropuia; hei hian nu entawn tlak, fate tana inpe zo a nihzia a lantir a. “Mihring kan lo pian hian zun leh êk leh tah chiah kan thiam,” tiin a sawi a. Nausen enkawl puitlin chu nu leh pa kovah a innghat a. Nu leh pa chu malsawmna leh anchhe kawltu an ni a ti a.
‘Kan Chem Kalna Hriat’ tih hi a pawimawhzia amah Zoremi atang hian a hmuh theih a. Zoremi fapa hi lehkha zir sak ve tak, matric vawi hnih fail a ni a. Mahse, a fapa chuan mobile phone vela thlalak a thiam riau tih a hria a, photography lam a zir duh em tih a zawh chuan a fapa chu a lawm hle a, a zir ta a. Rei lo teah a fapa chu kum naupang tê, kum 20 mi chauh a nihin tlangval intodelhah a chhuak a. Hei hian thil tam tak min ngaihtuahtir a. DL Moody-a chuan, “Ka nu ang vek hi khawvela nu zawng zawng ni sela, lung in awm a ngai lo vang,” a ti a.
Chinese nu chu an fate enkawlna kawngah an khauh va, an fate kawng tur an thlansak a, zalenna an pe lo. Sap nute erawh chuan an fate zalenna an pe a, an faten an ei zawnna kawng leh an khawsak dan tur anmahniin an inngaihtuah a, an tuina kawngah an kal a. An faten duh an thlan chu a hlawhtlin theih nan an nuten an tanpui a, an fate zalenna pein an enkawl a. Mizo chu kum 20 kan pelh hnuah pawh thalai tam tak chuan anmahnia kawng zawh turah thu tlukna an siam hlei thei lo va. Nu leh pa tam takin kan fate tuinate, an kawng zawh turte kan thlanpui thiam lo fo va; chuvang chuan tanpui ngaihna vak kan hre lo thin. Kan faten pawl sang tak thlengin lehkha zir se, officer ni sela tih hi kan thurolum, kan fate tana kan khawthlir a ni deuh thum mai.
Zoremi hian a lehkhabuah hian mo mawhphurhna te, chhungkaw nu mawhphurhna te thlengin a rawn sawi a, hei hian mahni inring zo tak a nihzia a tilang a. Mizo nu tam tak hi mahni fate nena inkawm ngeih thiam lo, hemi kawnga hlawhchham hi an ni a. Zoremi hi chu a fate nen an inkawm ngeih a, a fapa chem kalna a hria a; chuvang chuan a fapa, lehkha zir lama sak ve tak chu tlangval entawn tlakah a chher chhuak ta a ni.
Zoremi hi Mizo hmeichhe zinga thuziak thiamna talent nei tha ber pawl niin ka hria a. A thuziak reng reng hi a flow a mam a; chuvang chuan chhiar a nuam a, a presentation a tha em em mai bawk a. Thuziak tam tak chu han chhiar ila, a paragraph pumah eng nge an sawi a, eng nge sawi an tum hriat mang loh te hi a awm theih a. An thil sawi a pherh a, a chhum bung rem rum a; hetiang mite thuziak hi phek tam kan chhiar peih meuh thin lo. Zoremi hi chuan sentence tina a thu ziah hi a chiang a, a sawi tum a fiah tha viau mai.
Tin, a thu leh hla hi a chhiartute tan lo pawmpui a nuam em em a. Thu awmze nei, thufing tawi te te, witticism an tih ang chi te; thuziak cheimawi word play te hi a thiam hle a. Entir nan — ‘Hmelhriat ngah tak, thian tha tia sawi tur mumal nei lem lovah kan inchhuah thei a,’ tih te hi thufing ril raih a ni. ‘Meilum han ai ve dawn pawhin puitlingho khan, “Naupang harhin khaw vawt an hre lo,” tiin min hnawt darh a, vawt kan hriat vanga meilum ai ve kan ni reng si a,’ han tih te hi tawngkauchheh mawi leh huatthlala hauh si lo, awmze nei angreng deuh si a ni a. ‘Nui thei ve tawh atanga vote thlak ve thei tawh,’ han tih te hi wordplay mawi danglam tak a ni. ‘Police arsi sawmpali bel’ tih te hi thu uarna nalh deuh a ni a. A duh chuan Zoremi hi mi tih elna tawngkam, sarcasm pawh thiam zet mai a ni a. A thianpa, kan thianpa ni bawk, Zirsangkima hmel lan dan sawi nana, ‘khiang rah tla ang maia khi hui reng mai’ a tih te hi, amah Zirsangkima hmelhriat vete tan chuan a inhmeh hle tih kan hria ang.
‘Thla Eng’ tih thupuiah hian eng emaw sawi duh ka nei a. Television, computer leh phone te, street light eng avangtein mi tam tak chuan thla a en leh en loh pawh an hre lo niin Zoremi chuan a sawi a. Ni e, thla en leh en loh hre ngai lote chuan thil thenkhat nei mah se, thil thenkhat an chân ve thung a; anni tan chuan hringnun mawina leh a ropuina hmuh thiam a harsa ang a, hringnun duhawmna hi tem ve loh an ngahin ka ring. A mak ve angreng kan ti dawn nge — Zirsangzela khan hla lenglawng leh lengzem hla tha tak tak a phuah a; mahse, thla eng sawina lam hla chu pakhat, ‘Run Zau’ tih chauh a phuah a. ‘Khi ang run zau khi mahten a lo nghak kumtluang kha chen, awmhar suihlunglen tuar a har awm e,’ a ti lungrun raih a. V. Thangzama chuan ‘Ka Di Chhawrthlapui’ tih a phuah a, Roliana Ralte pawhin ‘Zan Lalnu’ tih a phuah a. Mi tam takin thla hi hla leh thuin an chawi a. Mizo chauh lo, khawvel hnam tin hi kan thinlungah ‘chhawrthlapui’ kan tih hian hmun a luah thuk hle vek a. Zoremi chuan, “Kan chhawrthlapui zet khi chuan thu tam hla tam a pai ngei a, a zuna uaiten duh tawka thu leh hla an phuahsak hi a phu ve reng a ni,” tiin a sawi a, kei pawhin hei hi ka pawmpui hle a ni.
‘Hmanlai Mizo Nun’ tih kan chhiar chuan Mizo culture pawh a lo hre viau tih a lang a. ‘Inrim Kha’ tihah hian Mizo nula leh tlangval, thianghlim taka an inkawm dan a rawn sawi a. Heta a tawngkam, ‘Ngaih loh mei pek’ tih hi kei ka lo la hre ngai hauh lo mai a; tin, hei hian hmanlai Mizo nula nun dan mâwl tê, mawi leh pawi sawi si lo kha a lantir tel âwm e. Hmanlai Mizo nula chuan an ngaihzawng leh an lo vei ruk ve deuh te pawh mi hriat turin an tilang ngai lo va. Nula pangngai chuan rimtu an ngah a, amah rimtu tlangval zawng zawng kha hlim hmel pu takin a lo chhawn vek thin tih kan hre theuh ang a. Mahse, a ngaihzawng deuh na na na kha chu han tihlan ve det chang an nei a ni chêk ang. Nula kha tapah a thu a, tlangvalho chu chhuatah an thu a; an nula rim chu vaibel tanna tur meiling an han dil thin a. Nula chuan a ngaihzawng ruk deuh chu meiling te reuh tê a lo pe a, tlangval chuan vaibela a chhuan kai hmain meiling chu a thi hman a; chuvang chuan meiling pêk nawn leh a ngai thin a. A ‘star’ ruk vak loh kha chu meiling lian leng lawng, vawi khat chhuana kai nghal ngei tur a pe a. Chu chu ‘ngaih loh mei pek’ an tih chu a ni a. Hetia an in-play dan hi a mawi danglam riauvin ka hria, Sodom rim a nam bawk si lo.
‘Hnam Hmangaihna’ tih te, ‘Ram Hruaitu |ha’ tih te, ‘Heroin’ tih te, ‘Ruih hlo’ tih te, ‘Khampat Bungpui Leh Myanmar-a Mizote’ tih han chhiar te hian Zoremin Mizo nationalism a lo lak natzia kan hria ang a. ‘Ka Lung A Leng’ tihah te, ‘Masi Urlawk Dan’ tihah te hian Mizo thingtlang khua a rawn pho lang iar a. Nun mawi, hnam zahawm, hun hlimawm tak hmang thin min hmuhtir a, thingtlanga nun hman ve kan chak phah a. A thuziak thupui tinah hian thil chi hrang hrang — finna te, Mizo nun te, ram hmangaihna te, thu hlimawm te, thu lungchhiatthlak lam chi leh a dang thil tam tak hai chhuah tur a phum a, a thupui tin hi a mal te tea chinleh atana tha tak vek a ni a. Phek 222-a chhah, LV Art, Chanmari-in an chhut, Rs 250 man a ni.